Utilization of Climate and Environment in Artistic Innovation (With Emphasis on the Art of the Kouzeh-Kanan Region)

Abstract

Geographical conditions play a significant role in shaping any art form that has a long-standing presence within a specific land. Art is born from both practical and spiritual needs, and the availability of natural resources profoundly influences artistic creation. Kouzeh-Kanan is a historical region located in East Azerbaijan Province, approximately ten kilometers from the city of Shabestar. This area has long been recognized as a cradle of pottery, where the craft of ceramics has traditionally been practiced both professionally and within families. The research method employed in this study is descriptive-analytical, with data collected through both library and field methods. The findings were obtained via on-site visits to the region, consultations with the Cultural Heritage Organization of Shabestar, and direct observation of discovered and locally produced pottery, supported by existing sources and documentation. The primary aim of this research is to examine the pottery tradition of Kouzeh-Kanan—one of the subregions of Shabestar in East Azerbaijan Province—which has remained relatively unknown compared to other cities renowned for their pottery. The results of this study indicate that pottery production in this region has continued to evolve naturally, maintaining its role in daily life. Its creation occurs spontaneously, guided by the needs and aesthetic preferences of local residents. The diversity of forms and functions of these pottery pieces appears virtually limitless. Skilled artisans working in the traditional workshops of the area have deeply integrated pottery into their daily lives. The pottery vessels of Kouzeh-Kanan reveal the richness of the raw materials used and the delicate craftsmanship of the artists, expressing themselves in a natural and authentic manner. Examination of historical pottery finds indicates that, similar to the ceramics of northwestern Iran, these works feature vegetal, animal, and geometric decorations; however, most pottery from this region has been produced in simple, unglazed forms.